The seam allowance was wonky, the plates didn't lay flat and the backgrounds were cut without attention to the grain of the fabric. I think I paid $4.50 plus shipping for 25 blocks.
The salmon background is a great classic color from that era but it completely drowned the soft prints set against it.
I frogged the plates from the background, the applique had been done with brown buttonhole twist and the stitches were 'toenail catchers'. I didn't feel guilting reworking these blocks. Once the plates were off the background I frogged the blades, pressed and recut them into a different shape. When I started appliqueing the plates I was so glad I chose pointed blades instead of rounded. It made the hand stitching a breeze.
It's been pick up work off and on for a few years, I have 17 out of 20 complete.
2 comments:
You never stop amazing me with your talent to see the possible from the impossible!
A lot of work, but what a treasure you will have once they are all finished and assembled into a top. My Dresdan plates are all done with the pointed ends .. so much easier to applique.
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